Edinburgh, Scotland, 1966

Jo Milne's territories also start from observation, but they point inward. Their structures, like networks or filaments, evoke cellular cytoskeletons: underlying forms that we cannot see, but which shape us. The threads she collects from the fields of La Segarra—remnants of those used to tie straw bales—become analogies for these cellular forms that she studied with scientists at the Department of Medicine and Life Sciences at Pompeu Fabra University (MELIS/UPF).

For more information about the artist Jo Milne at Galeria Espai Cavallers